Search Result
|
|
Bach Bibliography Search Result |
Series : ^$Your search has generated the following results ...
Year : 2011
Max number of results shown : 300
Display author field : OFF
Output sorted : serially \(table\)
| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | Die Kunst der Fuge, een pythagoreïsch raadsel: Contrapunctus 14, de onvoltooide fuga—Reconstructie en voltooiing. | ||||||
 | 2. | Valuable nuances of tuning for part 1 of J.S. Bach's Das wohl temperirte Clavier. | ||||||
| | 3. | Latin Church Music. | ||||||
| | 4. | Johann Sebastian Bach. | ||||||
| | 5. | BWV 248/19 'Schlafe, mein Liebster' - A Background Study with Focus on the Colla Parte Flauto Traverso Part. | ||||||
| | 6. | Using Composition Theory to Analyze a Work by J.S. Bach. | ||||||
| | 7. | On 'der Held/Löwe aus Juda' (The Lion in the texts of Bach Cantatas) | ||||||
| | 8. | Carl Philipp Emanuel Bach. | ||||||
 | 9. | Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. | ||||||
| | 10. | Bach and the 'Snake-Fire-Sprayers' - Fire-Fighting Regulations and Equipment During Bach's Time in Leipzig. | ||||||
| | 11. | A self-study of learning the prelude from Bach's suite no. 6 for cello solo: Comparing words and actions. | 9-29 | |||||
| | 12. | How to paint a fugue. | 8-23 | |||||
| | 13. | A. Švejcer ob ispolnenii klavirnyh proizvedenij I.S.Baha. | 102-115 | |||||
 | 14. | Instrumental'naâ fantaziâ: K probleme genezisa i èvolûcii žanra. | 104p | |||||
| | 15. | Le voyage à Leipzig: de fugue en fugue, à la découverte du Clavier bien tempéré de Jean-Sébastien Bach. | 125, 48p | |||||
| | 16. | Le premier livre du Clavier bien tempéré de Jean-Sébastien Bach: Rhétorique et sémiologie. | 140, lxxv p | |||||
| | 17. | Pour le clavecin: Wanda Landowska a terminé à New York la somme de sa vie. | 153-156 | |||||
| | 18. | O hudobnom èase. | 158p | |||||
| | 19. | Thematisch-chronologisches Verzeichnis der Werke Max Regers und ihrer Quellen: Reger-Werk-Verzeichnis (RWV) | 1616p | |||||
| | 20. | Afekt w sztuce wokalnej: Interpretacja arii altowych z Pasji wed³ug œw. Mateusza Jana Sebastiana Bacha w kontekœcie retoryki muzycznej. | 172p | |||||
| | 21. | Musikalische Weltkultur - Johann Sebastian Bach im Schloss Köthen. | 180-181 | |||||
| | 22. | Bach and the Beggars. | 18p | |||||
| | 23. | Johann Sebastian Bach. | 192p | |||||
| | 24. | Bach i Sverige under 300 år: En exposé i miniformat. | 195-206 | |||||
| | 25. | Chaconne aus der Partita II für Violine solo, BWV 1004 / Johann Sebastian Bach. | 19p | |||||
| | 26. | Bach: Ro-tancho Misa Kyoku. | 204p | |||||
| | 27. | Unvollendete Fuge aus der 'Kunst der Fuge' BWV 1080: 'Halleluja, amen! Preiset, jubelt unserm Gott' / Johann Sebastian Bach. | 20p | |||||
| | 28. | Vier Choralvorspiele für Orgel / Johann Ludwig Krebs. | 20p | |||||
| | 29. | '1788 Nen': C. P. E. Bach, Breitkopf, Forkel, Swieten, Mozart. | 215-225 | |||||
| | 30. | Bachs Weihnachtsoratorium und die polnische Königswahl. | 215p | |||||
| | 31. | O nekotoryh proâvleniâh bahianstva v muzyke Šumana | 218-230 | |||||
| | 32. | Written by Mrs Bach: The Amazing Discovery That Shocked the Music World. | 224p | |||||
| | 33. | Bach & the art of improvisation. I. | 224p | |||||
| | 34. | Voice-leading prototypes and harmonic function in two chorale corpora. | 230-240 | |||||
| | 35. | Le bel aujourd'hui: Bach ou Boulez--Des œuvres à faire. | 234p | |||||
| | 36. | Bach 'Invention to Sinfonia' Sozoteki Shidoho. | 238p | |||||
| | 37. | Studien zur Kirchenmusik von Carl Philipp Emanuel Bach (1714 - 1788). | 244p | |||||
| | 38. | Wilhelm Friedemann Bach. Epigone oder Originalgenie, verquere Erscheinung oder großer Komponist? | 255p | |||||
| | 39. | Wilhelm Friedemann Bach: Epigone oder Originalgenie, verquere Erscheinung oder großer Komponist? | 255p | |||||
| | 40. | Das Schöne klingt: J.S. Bachs Freie Orgelwerke in der Klavierübertragung. | 263p | |||||
| | 41. | On dancing to Bach: Humphrey-Weidman programs. | 28-31 | |||||
| | 42. | Johann Sebastian Bach, Johannespassion: eine musikalisch-theologische Einführung. | 280p | |||||
| | 43. | Anna Magdalena Bach et l'entourage féminin de Jean-Sébastien Bach. | 303p | |||||
| | 44. | Bach no Ango: Kazu to Sozo no Himitsu. | 311, 63p | |||||
| | 45. | 'Mubanso Cello Kumikyoku' o motome te -- Bach, Casals, soshite Gendai. | 319,40p | |||||
| | 46. | Exploring Rameau and beyond: A corpus study of root progression theories. | 334-337 | |||||
| | 47. | De cellosuites: J.S. Bach, Pablo Casals en de speurtocht naar een meesterwerk. | 350p | |||||
| | 48. | Dejiny hudby. IV: Klasicizmus. | 373p | |||||
| | 49. | Theodor W. Adorno: Pensiero critico e musica. | 382p | |||||
| | 50. | 'Sei narumono' no Sozo. | 390p | |||||
| | 51. | Vier Violinsonaten: violino solo e cembalo / Johann Ludwig Krebs. | 40p + 2 St | |||||
| | 52. | J. S. Bach: Passions, messes et motets. | 420p | |||||
| | 53. | Michael Radulescu: La résonance avec les astres. | 43-54 | |||||
| | 54. | Techne- to-n aisthe-mato-n kai to-n synkine-seo-n: mousikoi ektelestes ste- Germania tou Diapho-tismou [1750-1800] | 454p | |||||
| | 55. | Styl Polski w Muzyce Johanna Sebastiana Bacha. | 457p | |||||
| | 56. | Nekotorye problemy ispolneniâ polifonii na baâne. | 48p | |||||
| | 57. | K povahe konvergentnosti v diele Romana Bergera. | 49-64 | |||||
| | 58. | The Faber Pocket Guide to Bach. | 512p | |||||
| | 59. | The Music Libel Against the Jews. | 532p | |||||
| | 60. | Gloria: an introduction to 1000 years of European sacred music. | 63p | |||||
| | 61. | Johann Sebastian Bach: Muzyk i uczony. | 700p | |||||
| | 62. | Lorenz Christoph Mizler de Kolof: Schüler Bachs und pythagoreischer 'Apostel der Wolffischen Philosophie'. | 720p | |||||
| | 63. | Schloss Köthen: Wo Johann Sebastian Bach Hofkapellmeister war. | 76-77 | |||||
| | 64. | De Goldbergvariaties van J. S. Bach. | 80p | |||||
| | 65. | Contrapunctus III aus der 'Kunst der Fuge' BWV 1080: 'Alle, die ich lieb habe, weise ich zurecht' / Johann Sebastian Bach. | 8p | |||||
| | 66. | 3 zweistimmige Inventionen BWV 772, 777, 779 / Johann Sebastian Bach. | 8p | |||||
| | 67. | Velikie tvoreniâ mirovoj duhovnoj muzyki. | 9-170 | |||||
| | 68. | The Musician in Literature in the Age of Bach. | ix, 237p | |||||
| | 69. | Bach-Interpretationen - Nationalsozialismus: Perspektivenwandel in der Rezeption Johann Sebastian Bachs. | ix, 540p | |||||
| | 70. | Briefwechsel: unter Einschluß des Briefwechsels von Luise Adelgunde Victorie Gottsched; historisch-kritische Ausgabe. Bd.5: 1738- Juni 1739. | lii, 580p | |||||
| | 71. | The Well-Tempered Clavier I / BACH | vi, 123p | |||||
| | 72. | Tonality and Transformation. | xi, 243p | |||||
 | 73. | The Form of the Preludes to Bach's Unaccompanied Cello Suites. | xii, 107p | |||||
| | 74. | French organ music in the reign of Louis XIV. | xii, 328p | |||||
| | 75. | Bach's Feet: the Organ Pedals in European Culture. | xiv, 298p | |||||
| | 76. | Tonus Peregrinus: The History of a Psalm-Tone and Its Use in Polyphonic Music. | xiv, 323p | |||||
| | 77. | A provincial organ builder in Victorian England: William Sweetland of Bath. | xix, 307p | |||||
| | 78. | Markuspassion: Die Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi nach der Beschreibung des Evangelisten Marcus / Homilius. | xvi, 168p | |||||
| | 79. | Offrande musicale sur le nom de BACH, opus 187: pour orchestre / Charles Koechlin. | xx, 117p | |||||
| | 80. | The trumpet. | xx, 338p |